Tuesday, November 16, 2010

from paris with love

Thought not without its charms -- chief among them John Travolta's endearingly over-the-top performance -- From Paris with Love is too muddled and disjointed to satisfy. A low-ranking intelligence operative (Jonathan Rhys Meyers) working in the office of the U.S. Ambassador in France takes on more than he bargained for when he partners with a wisecracking, fast-shooting, high-ranking U.S. agent (John Travolta) who's been sent to Paris to stop a terrorist attack.

The plot kept twisting and turning, bringing one surprise after the other, which made it really interesting. Travolta was dynamic, fun and believable as a seemingly crazy but very able operative/spy. Jonathan Rhys Meyers was excellent in the role of the newbie operative who was fairly innocent and very inexperienced, but still smart.
It also has constant action, and if you like that sort of thing then you'll be rewarded with a movie that holds your interest. Yet, when its over, you won't need to watch it again, because it isn't that kind of movie. You can't help but think throughout the movie, that some scenes were missing. Either that or Luc Besson scraped the typical plot of most action movies and decided to focus his screenplay on a subplot.


FROM PARIS WITH LOVE is an odd title for this 93 minutes of slaughtering in the name of smoking out Terrorists. But then it is an odd movie, too, one that fans of John Travolta's screen chewing side will love. There is so little story that it doesn't need summary. Two guys - one Special OPs wannabe James Reece (Jonathan Rhys Meyers with an American accent) is assigned to partner with an infamous spy called Charlie Wax (John Travolta in top edgy comedic form) to first uncover a cocaine ring of Chinese (they accomplish this by killing everyone) and then the two jump around on buildings and stairwells and car chases and explosions to uncover planned terrorist attack from the Pakistanis - again accomplished by killing everyone.

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